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Something went wrong. For me those Crystals shining! Our hero stepped forth and in his hands he grasped that crumpled script.
Insearch of crystals, after times new and old did he point those sprightly toes. And what or who would dare defy those muscles strong and bulging?
May 14, Archived from the original on January 16, Retrieved September 1, USA Today. Archived from the original on May 14, Film Journal International.
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Archived from the original on June 12, Retrieved August 29, MTV Networks. Archived from the original on January 1, Retrieved January 12, On the other hand, the movie does feature a great cast, including Michael J.
Fox and James Garner, along with animation by legendary comic book artist and Hellboy creator Mike Mignola.
Because of this last factor, Atlantis has become a bit of a cult favorite in some circles Digital Media FX Magazine. Archived from the original on January 17, Retrieved September 27, Archived from the original on August 10, Kogan Page.
QSR Magazine. Journalistic, Inc. June 11, Archived from the original on October 12, Animation World Network. Retrieved April 23, Archived from the original on December 24, Retrieved September 2, June 1, Archived from the original on June 15, Retrieved September 22, Archived from the original on April 4, Retrieved July 6, Archived from the original on May 27, Walt Disney Studios Home Entertainment.
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Retrieved May 23, CBS Interactive. Archived from the original on April 24, The Trades. Archived from the original on March 9, Retrieved September 21, Not surprisingly Atlantis scored a very nice set of A's from both men and women under 21 as well as men and women age 21 to Chicago Sun-Times.
Archived from the original on June 5, Retrieved August 13, San Francisco Chronicle. Archived from the original on February 10, Retrieved June 26, Los Angeles Times.
Archived from the original on December 2, Archived from the original on November 8, What was wrong with the old ones they made for kids?
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CBR in Spanish. Here's Why". Comic Book Resources. Archived from the original on July 23, In , Dr. Daniel Jackson decoded an ancient language and unlocked the secrets of the Stargate, sending him and a military unit across the universe to a lost colony of humans.
And in , he did it again — decoding the ancient Atlantean language to launch a quest to find the lost continent of Atlantis. International Animated Film Society.
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Archived from the original on February 9, Electronic Gaming Monthly : Game Informer August Game Revolution. Archived from the original on November 1, Archived from the original on October 6, Nintendo Power.
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Development of the film began after production had finished on The Hunchback of Notre Dame Instead of another musical , the production team decided to do an action-adventure film inspired by the works of Jules Verne.
Atlantis was notable for adopting the distinctive visual style of comic book creator Mike Mignola. The film made greater use of computer-generated imagery CGI than any of Disney's previous traditionally animated features, and it remains one of the few to have been shot in anamorphic format.
Linguist Marc Okrand constructed an Atlantean language specifically for use in Atlantis. James Newton Howard provided the film's score. The film was released at a time when audience interest in animated films was shifting away from hand-drawn animation toward films with full CGI.
Released by Walt Disney Pictures , Atlantis performed modestly at the box office. Due to the film's lackluster box office performance, Disney quietly canceled both a spin-off television series and an underwater attraction at its Disneyland theme park.
Some critics praised it as a unique departure from typical Disney animated features, while others disliked it due to the unclear target audience and absence of songs.
Atlantis is considered to be a cult favorite , due in part to Mignola's unique artistic influence. A direct-to-video sequel, Atlantis: Milo's Return , was released in A massive tidal wave, triggered by a distant explosion, threatens to drown the island kingdom of Atlantis.
In the midst of an evacuation from the capital city, the Queen of Atlantis is caught by a strange, hypnotic blue light and lifted up into the "Heart of Atlantis", a powerful crystal protecting the city.
The crystal consumes her and creates a dome barrier that protects the city's innermost district. She leaves behind her husband, the King of Atlantis, and her young daughter, Princess Kida, as the island sinks beneath the ocean.
Several thousand years later, in , Milo Thatch—a cartographer and linguist at the Smithsonian Institution who is marginalized for his research on Atlantis—believes that he has found The Shepherd's Journal , an ancient manuscript allegedly containing directions to the lost island.
After his proposal to search for the Journal is rejected by the museum board, a mysterious woman, Helga Sinclair, introduces Milo to Preston B. Whitmore, an eccentric millionaire.
Whitmore has already funded a successful effort to retrieve the Journal as repayment of a debt to Milo's grandfather and recruits Milo to lead an expedition to Atlantis as soon as he deciphers it.
The expedition departs with a team of specialists led by Commander Rourke, who also led the Journal recovery expedition. The crew includes Vinny, a demolitions expert; Mole, a geologist; Dr.
Sweet, a medical officer; Audrey, a mechanic; Mrs. Packard, a radio operator; and Cookie, a mess cook. They set out in the Ulysses , a massive submarine, but are soon attacked by the monstrous Leviathan, a robotic lobster-like creature that guards Atlantis' entrance.
The Ulysses is destroyed but Milo, Rourke, and part of the crew escape and make their way to a cavern, described in the Journal as the entrance to Atlantis.
After traveling through a network of caves and a dormant volcano, the team reaches Atlantis. They are greeted by Kida—who, despite her age, resembles a young woman—and discover that the Atlantean language is the basis of many existing languages which allows the Atlanteans to understand English.
Kida enlists Milo in helping her decipher the Atlantean writing, which was long forgotten by the natives.
By swimming deep within the city's submerged ruins and translating underwater murals, Milo helps Kida uncover the nature of the Heart of Atlantis: it supplies the Atlanteans with power and longevity through the crystals worn around their necks.
He is surprised this is not mentioned in the Journal , but upon examination realizes a page is missing. Returning to the surface with Kida, Milo discovers Rourke has the missing page.
Rourke and the crew betray Milo, intending to bring the crystal to the surface and sell it. Rourke mortally wounds the King of Atlantis while trying to extract information about the crystal's location, but finds its location for himself hidden beneath the King's throne room.
The crystal detects a threat and merges with Kida. Rourke and the mercenaries lock Kida in a crate and prepare to leave the city, knowing that when the crystal is gone the Atlanteans will die.
Milo berates his friends for betraying their consciences and ultimately convinces them to leave Rourke and remain in Atlantis.
The King explains to Milo that the crystal has developed a consciousness; it will find a royal host when Atlantis is in danger. As he dies he gives his crystal to Milo, telling him to save Atlantis and Kida.
Encouraged by Sweet, Milo rallies the crew and the Atlanteans to stop Rourke. In a battle inside the volcano, Helga and the other mercenaries are defeated, including Rourke, killed when Milo slashes his arm with a crystal shard.
As Milo and the others fly the crystal back to the city, the volcano erupts. With lava flowing towards the city, Kida in her crystal form rises into the air and creates a protective shield.
The lava breaks away harmlessly, showing a restored Atlantis, and the crystal returns Kida to Milo. The surviving crew members return to the surface and promise to keep the discovery of Atlantis a secret.
Milo, in love with Kida, stays behind to help her rebuild the lost empire. Having recently completed The Hunchback of Notre Dame  the producer and directors wanted to keep the Hunchback crew together for another film with an Adventureland setting.
The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak.
So we brought people on board who would help us develop those ideas. Marc Okrand , who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire.
Guided by the directors' initial concept for it to be a " mother-language ", Okrand employed an Indo-European word stock with its own grammatical structure.
He would change the words if they began to sound too much like an actual, spoken language. The Atlantean [A] is a shape developed by John Emerson.
It is a miniature map of the city of Atlantis i. It's a treasure map. Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects.
According to him, he "had not a shred" in the movie. When the first two acts were timed at minutes, the directors cut characters and sequences and focused more on Milo.
Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.
This gave the film a faster pace because Atlantis is discovered earlier in the story. The character of Milo J.
Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate.
The directors later related him to an explorer so he would discover his inner talent for exploration.
Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories.
An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing.
Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan.
Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans.
Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford.
Trousdale went home and completed the storyboards later that evening. The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.
The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format 2.
The film's visual style was strongly based upon that of Mike Mignola , the comic book artist behind Hellboy.
Mignola was one of four production designers along with Matt Codd, Jim Martin, and Ricardo Delgado hired by the Disney studio for the film.
Accordingly, he provided style guides, preliminary character and background designs, and story ideas. I remember watching a rough cut of the film and these characters have these big, square, weird hands.
I said to the guy next to me, "Those are cool hands. We had a whole meeting about how to do your hands. The final pull-out scene of the movie, immediately before the end-title card, was described by the directors as the most difficult scene in the history of Disney animation.
They said that the pullout attempt on their prior film, The Hunchback of Notre Dame , "struggled" and "lacked depth"; however, after making advances in the process of multiplaning , they tried the technique again in Atlantis.
The scene begins with one inch Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.
At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery CGI than any other Disney traditionally animated feature.
To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.
As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.
With the ability to operate in the z-plane, this camera moved through a digital wire-frame set ; the background and details were later hand-drawn over the wire frames.
This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.
Since the film would not feature any songs, the directors hired James Newton Howard to compose the score. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis.
In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.
Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery.
The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed.
When the recording was sped up on his computer he felt it sounded very organic, and that is what is heard within the film.
Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, and the sound of sub-pods moving through water with a water pick.
Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's , which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.
The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date. Before the film's release, reporters speculated that it would have a difficult run due to competition from DreamWorks ' Shrek a wholly CGI feature and Lara Croft: Tomb Raider an action-adventure film from Paramount Pictures.
Regarding the market's shift from traditional animation and competition with CGI films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge.
I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting.
But maybe I'm blind to it. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.
The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2. Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.
The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.
While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and its attempt to appeal to an older audience.
Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola.
Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences.
He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division.
Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience.
Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".
Damn the imperialists! Wells and Jules Verne. When the film was released, some viewers noticed that Atlantis: The Lost Empire bore a number of similarities to the — Japanese anime television program Nadia: The Secret of Blue Water , particularly in its character design, setting, and story.
According to Gainax member Yasuhiro Takeda , they only refrained from doing so because the decision belonged to parent companies NHK and Toho.
Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May , "Never heard of Nadia till it was mentioned in this [newsgroup].
Long after we'd finished production, I might add. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia' s.
Atlantis directors Trousdale and Kirk both admittedly acknowledged Miyazaki's works as a major influence on their own work.
Atlantis: the Lost Empire was meant to provide a springboard for an animated television series entitled Team Atlantis , which would have presented the further adventures of its characters.
However, because of the film's under-performance at the box office, the series was not produced. On May 20, , Disney released a direct-to-video sequel called Atlantis: Milo's Return , consisting of three episodes planned for the aborted series.
It was also available in a limited edition of 20, numbered copies with a unique 3D album cover insert depicting the Leviathan from the film.
A rare promotional edition featuring 73 minutes of material, compared to the 53 minutes on standard commercial editions was intended only for Academy of Motion Picture Arts and Sciences voters but was bootlegged and distributed with fan-created artwork.
Concerning the promotional edition, Filmtracks said, "Outside of about five minutes of superior additional material including the massive opening, "Atlantis Destroyed" , the complete presentation is mostly redundant.
Still, Atlantis is an accomplished work for its genre. There are several video games based on the film. It was released on May 1, , for the Microsoft Windows platform and was a first-person shooter game, the first of two games based on the film developed by Zombie Studios and released for UPC labels from Kellogg's products for promotion.
Some features in the game unlock others such as a movie by finding items hidden throughout the game. It is a platform game in which the player controls Milo and three other characters from the film across 14 levels on a quest to discover Atlantis.
From Wikipedia, the free encyclopedia. Redirected from Atlantis: The Lost Empire video game. Not to be confused with Atlantis, the Lost Continent.
Theatrical release poster. Gary Trousdale Kirk Wise. Michael J. Release date. Running time. Main article: Atlantean language. The directors often described the Atlanteans using Egypt as an example.
When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant.
Main article: Atlantis: The Lost Empire soundtrack. Box Office Mojo. Nash Information Services. Archived from the original on December 20, Retrieved January 6, The New York Times.
Retrieved July 4, Archived from the original on June 6, Retrieved July 3, Entertainment Weekly. May 14, Archived from the original on January 16, Retrieved September 1, USA Today.
Archived from the original on May 14, Film Journal International. Retrieved August 30, Theme Park Adventure Magazine. Archived from the original on March 10, Orlando Sentinel.
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